Raag bageshri aroh avroh
Raag bageshri aroh avroh. Raag Multani is a very melodious Raag belonging to Todi Thaat. su n d M g R s . P is used in the avaroh in a vakra manner, in phrases such as MPD·MG̲RS. Also learn the similarities and difference between Kafi and Bageshri. Jan 18, 2021 · About :- Aaj ki video me ham Raag Bageshri ke Parichay , Aaroh - Avroh , Pakad aur Aalaap ke bare me jaanenge. Actually these two are different raag. Dec 23, 2021 · Learn Raag Kafi Aroh Avroh, Pakkad, Swar Vistar, Bandish & Boltaan in Hindustani Classical Singing Classes Near You. Lesson Structure. नि(k) सा – कौन करत तौरी । सा म – – / ग(k) रे सा – Raag Bageshri has 5 notes in Aroh (ascending) and 6 notes in Avroh (descending) order. Aroh Avroh Pakad on Teen Taal. These are the Raag Vachak Swar Sangati of Poorbi. The ways of P usage differs with lineages/artists. DP M - | M P D M | R M R S | Ragakosh Collection of Ragas Search Help About Request Raga Settings Share Subscribe to Ragakosh version 4. The popular Hindi music director C. Time of this Raag is night and Vadi swar 'M' and Samvadi 'S VOCAL – Raga Durga – Page 2 www. Ramachandra. Avroh of Bhoop raag : SA Dh Pa Ga Re Sa – 5 notes used are SA Dh Pa Ga Re Apr 26, 2020 · HI PLEASE Subscribe this video and give your valuable commentराग बागेश्री | आरोह | अवरोह | पकड़ | सरगमगीत Raag Bageshri Jul 15, 2018 · Bageshri is an audhav - sampurna (consists of 5 notes in Arohana and 7 notes in Avarohana) raga from the Hindustani music tradition. g Detail of Raga Malhar, Thaat: Kalyan, Jaati: Shaadav-Sampooran, Time: 12:00AM to 3:00AM, Vadi: m, Samvadi: S, Aroh: S, R G m, m R P, n D N S*, Avroh: S*, D n P m, G m Subscribe to our notifications for the info about latest new features and new ragas. e. Practice Tracks: These tracks are meant help in actual VOCAL – Raag Bhairavi - Page 1 www. Swar Vistar Tane and Alaap Class Pattern : Class is Divided into Video Lesson and Practice Track Videos : Explains the way of doing exercise. Actually the Guru voice/sur and the display sur are different, based on that it gets very confusing to sing along, because right approach is to follow the voice, but then riyaz feedback system displays poor everytime because of not following the displayed swaras. Raag Bageshree is also called Bagesari, Bageshwari, Vageshwari etc. In Raag Bahar, Madhyam is a prominent note, so one should have a Nyas on Madhyam while rendering Aalaps. In this Raag, Nishad is a prominent note and Aalaps or Taans are generally started from this note. In a 1978 interview at BBC studios with Mahendra Kaul, he explained this, while playing songs like (Radha na bole - Azad, 1955) that were set to Bageshri. | DS. It produces compassion and is emotional in character. But in Avroh, both the Gandhars may be used simultaneously like: P m G m G g S. This is a playful Raag full of romantic, loving sentiments. com/DbCHThEhuU This is a video explaining the Aroh and Avroh in Raag Bageshree of Hindustani music. This raga omits R and P in aroh and uses all the notes in the avaroh. Avroh: Avroh, also known as Avarohana, is the opposite of Aaroh Detail of Raga Bhimpalasi, Thaat: Kafi, Jaati: Aurav-Sampooran, Time: 12:00PM to 3:00PM, Vadi: m, Samvadi: S, Aroh: *n S g m P n S*, Avroh: S* n D P m g R S, Pakad: *n S m g m P m S g R S - powered by Ragakosh. Bhimpalasi raag is one of the popular raag of Indian classical music and played in all three octaves. It is a Meend Pradhan Raag. Bhoop Raag has 5 notes Sa Re Ga Pa Dh. This is a Poorvang Pradhan Jul 8, 2021 · Raag Bageshri Aroh avroh pakadAlaptutorial video part 1With proper notation By Samir PalIf anyone wants to learn any other raag except Bageshri he/she may m Jul 15, 2018 · There is some kind of bug in few lessons of raag durga. However, often Pancham is skipped in Raag Gauri is an India musical raga that appears in the Sikh tradition from northern India and is part of the Sikh holy scripture called Sri Guru Granth Sahib (SGGS. In this Raag Gandhar is very prominent and is a Vadi and Nyas Swar. Feb 18, 2022 · In this video, you will be able to practice the Aroh and Avroh of Raag Desh. In view of use of Madhyam Teevra many renowned musician categorized Raag Bihag in Kalyan Thaat. It is generally accepted that there is much thermal energy in Raag Kedar and hence it is regarded as the Raagini of Raag Deepak. VOCAL – Raag Bhupali - Page 1 www. When is Raag Bageshri sung? Raag Bageshri is sung in the second division of night between Classical Dance for Adults All Classical Dance for Adults Kathak For Adults Classical Dance for Kids All Classical Dance for Kids Aug 2, 2020 · Kafi Raag is the principal raag of one of the Thaat known as Kafi Thaat. ) Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition But in Avroh, Rishabh and Pancham are Deergh like S’ N d P or P m G m r r S. n d p mg r s pakad ( mukhyang - main notes): g m p d n d , m p d , m g vadi (main note) – g samvadi (next main note) - n time of singing – second period of night aalap: 1. Like wise Rishabh is linked with Shadj (i. It is 26th Melakarta Ragam of Carnatic Music and is called as Tarangini. | s. The first things you learn about a raga are its ascending (aaroh) and descending (avroh) scales. There is total freedom for the performance in this Raag and can be expanded in all the three octaves. Jun 2, 2021 · Raag Bageshree 16 Matras Allap Taan Raag Bageshree Allap in Hindi 8 Matra Allap – कौन करत तौरी । सा – – – / . D P G R S VOCAL – Raga Bhairav – Page 1 www. Your very own mobile vocal coach! Link: https://get. Raag Nat Malhar and Gaud Malhar are samaprakritik raags. Use of Ma(t) purposefully done to enhance the beauty of this raag. n d P M g r S PAKAD : S g M P d – – P VADI ( MAIN SWAR ) : M SAMVADI ( NEXT MAIN SWAR ) : S The stream of notes in Raag Malkauns immediately produces the severely tranquil atmosphere. It depicts the emotions of pratiksha or awaiting of a lover and the main beauty of this raag lies in swars म ध & नि॒. S ,N ,d ,N r S,N S r G, r G M P, P M G m (r)G, r S. सहायता; स्वशिक्षा; अक्सर पूछे जाने वाले प्रश्न; देवनागरी कैसे टाइप करें Raag Madhuvanti is a fairly recent Raag. Renderings with appropriate Khatkas and series of beautifully composed intricate patterns of Taans are conducive to its dynamic fleeting nature. R R m R; ,D ,D S clarifies the Raag format. Pancham is used as a Kan-Swar). One has to be careful while singing as it has Rishabh and Madhyam forbidden. This raag consists of the Gaud ang, Bilawal ang and the Malhar ang. Ramchandra favored composing songs in Bageshri, as he found it simple. Raag Shahana Apr 28, 2019 · Brought To You by Adam Gheli aka Bhaijaan YousufiThaat: KhammajAarohi: S G m D n S'Amrohi: S' n D m -- G m R SVadi: mSamvadi: SPakard: R S 'N 'D; 'm 'D 'N S 1. It is a sweet melodic combination with fair degree of freedom for development into an impressive mellifluous mood with wide public appeal. #BageshriRaagKaParichay #RaagBageshri #DescriptionOfRagaBageshri Bageshri Raag Ka Parichay| Introduction of Bageshri Raag| Description of Bageshri| Introduc Key features of Raag Gaud Malhar. N d P M G r S Feb 18, 2022 · In this video, you will be able to practice the Aroh and Avroh of Raag Desh. As per Bhatkande, the name of this raag ‘Kafi’ first used by Lochana Pandit in his raag called Raag Tarangini. Care should be taken to avoid mix-ups. In Aaroh, Poorvang starts with Raag Darbari Kanada, said to be created by Miya Tansen, results in a sweet and heavy atmosphere. Aroh & avroh. Enrol now. What Raag Durga is a very popular night time Raag which is also very sweet to listen to. Parichay Aroh Avroh Pakad. Raga Bageshri or Bageshree (IAST: Bāgeśrī) is a Carnatic classical raga. ,N S (M)g (M)g (S)r S is the Raag Vachak Swar Sangati of Multani, with Komal Rishabh receiving a Kan of Shadj and Komal Gandhar receiving a Kan of Madhyam Teevra Detail of Raga Yaman, Thaat: Kalyan, Jaati: Sampooran-Sampooran, Time: 6:00PM to 9:00PM, Vadi: G, Samvadi: N, Aroh: S, *N R G, M P, M D, N, S*, Avroh: S* N D P, M G Aroh *n S G m P n S* Avroh S* n P m G S g S Pakad G m P n P, P n P m G m, G m g S More Details Notes In this Raag both Gandhars are used, Shuddha Gandhar in Aaroh and Komal Gandhar in Avroh. riyazapp. They have 6 notes in both Aroh and Avroh. 2. Parichay; Aroh Avroh Pakad. It is a solemn type raag in which Khayal and Masitkhani are sung and played. Aroh, Avroh, Pakad, samay. org – Learn Indian Music conveniently RAAG : BHAIRAVI AROH: S r g M P d n S. This Raag has a strong public appeal. In Avroh, Gandhar is skipped like: G m r S. 0 Malkauns Language English ਪੰਜਾਬੀ हिन्दी Share Raga Jul 15, 2018 · Bhimpalasi is an audhav - sampurna (consists of 5 notes in Arohana and 7 notes in Avarohana) raga from the Hindustani music tradition. Understand the elements that make up any Raag ex. Videos: Explains the way of doing exercise. Swar Vistar; Tane and Alaap; Class Pattern: Class is Divided into Video Lesson and Practice Track. This Raag is a combination of Gaud Ang, Shuddha Malhar Ang and Bilawal Ang. In Raag Puriya Dhanashree, Pancham is a very prominent note which is also the center point of all the Raag expansion. Dec 20, 2021 · Raag Bilawal videos and practice tracks to practice. Aroh S R G m P d n S* Avroh S* n d P m G R S, d, n S Pakad *d *n S R G m G R, R G m d P, R G m R S More Details Notes Charukeshi Raga is adopted from Carnatic Music. In this Raag both Gandhars are used, Shuddha Gandhar in Aaroh and Komal Gandhar in Avroh. Being a very melodic raga it has gained popularity over the centuries. Aaroh-Avroh: n R g M d n su. If a note is skipped in the ascending scale of a raga, musical phrases in that raga will reflect this by always skipping that note in ascending sequences. If you want to explore more ragas and learn more on Hindustani Classical music yo Compositions in Raag Bhairavi include Thumris, Tappas, Bhajans, Ghazals, Light Songs etc. In Avroh, S' n D m G R S may also be taken. Videos Jun 23, 2020 · There is still some discussion whether Yaman and Kalyan are two different names of the same raag or these two are different raag. This is a Poorvang Pradhan Raag. However, these days S' n D m Raag Jog is a very melodious and straightforward Raag. For e. Raag Bhairavi is an early morning Raag, but it is also used as a concluding piece in the concerts at any time. Though the name of the Raag is Tilak Kamod, this Raag has no similarities to Raag Kamod. Raag Gaud Malhar is a very popular Raag as it is very impressive and melodious. S. The combinations of the melody can really ape the vagaries of nature in the thunder of clouds and the rain torrents falling from sky onto the earth. It has G̲ and N̲ as komal notes. raag : khamaj aaroh / avroh : s g m p d n s. Though originally from Carnatic music, this Raag is equally suitable for Hindustani Classical Music style. In music literature, Raag Rageshree is said to have both Shuddha and Komal Nishads. Bandish with and without Teen Taal. Time of this Raag is night and Vadi swar 'M' and Samvadi 'S Jan 20, 2022 · Raag Bilawal videos and practice tracks to practice. The musical compositions in this Raag bear the Shadja-Pancham (S-P) and Shadja-Madhyam (S-m) Bhava and therefore very pleasing and essentially melodic. Using Rishabh and Dhaivat In Avroh Dhaivat is linked with Pancham (i. Jan 28, 2022 · Raag Desh or Des is an Audava-Sampurna (consists of 5 notes in Aroh and 7 notes in Avroh) raga from the Hindustani music tradition. It is meant to depict the emotion of waiting for reunion with one's lover. It is one of the most used ragas used in popular music today. Alankar practice set for Bhoop Raag: Let us go back to the example of Raag Bhoop. Many musicians believe that the this raag has come to us from folk music. . Apr 7, 2023 · Raag Bageshree |Aaroh, avroh, pakad, aalap, Swarmalika | Taal Teentaal - Tempo 120 bpm | Indian Classical Music @shrutinaad1815 @shrutinaad1815 #raag #bandi Aug 8, 2019 · You can make your own Alankars using swaras in Aaroh and Avroh of a Raag. If you want to explore more ragas and learn more on Hindustani Classical music yo Raag Des is a very sweet melody that announces itself with the combination D s m G R - G ,N s S. The aaroh and avroh greatly influence how musical phrases in a raga are structured. Knowing the Aroh and Avroh Raag Bageshri has 5 notes in Aroh (ascending) and 6 notes in Avroh (descending) order. While preceeding from Shuddha Madhyam (m) to Pancham (P), a touch of Gandhar (G) or a smooth passage from Gandhar (G) to Pancham (P) expressed as m G P is the more common way of instant Raag manifestation. Also there are couple of options for Aaroh and Avroh. But, it does not have any shadow of Todi Ang. Aug 21, 2020 · As a result, people started assuming that Bihaag raag belongs to Kalyan Thaat and it is wrong. Subscribe to our notifications for the info about latest new Aroh S r G M P d N S* Avroh S* N d P, M G m G r S Pakad S r G, M G m G, M d P, N d P, G M P, M G m G r S More Details Notes This is an evening dusk (sandhi prakash) Raag. Raag Desh has been used in well-known Indian Patriotic Compositions. org – Learn Indian Music conveniently RAAG : Bhupali AROH - AVROH : S R G P D S. Vadi Swar of Raag Dhanashree with Bheempalasi Ang is Pancham (with more P-g sangati) while that of Raag Bheempalasi is Madhyam. R is not used in Aroh (ascending) but is used in Avroh and though normally P should not be used at all but it is used in a special way while descending. Raag Details: Bageshri is an old and ‘big’ raga, the warmth in its tones wraps the listener in enchantment. In this raag swar प is eliminated generally, but used stylistically to anchor the beauty of its Ma and Dha. R. The notes of this Raag are similar to those of Raag Des, but the way it is rendered is very different, which creates a completely different atmosphere. The Raga having 6 notes are known as Shadav Jati. This raag employs Shuddha Nishad in Aaroh and Komal Nishad in Avroh. 5 notes in Aroh and 5 in Avroh. It resembles two other ragas which exude the rich cultural heritage of folk music: Mand from the Rajasthan region and Pilu from the Hindi heartland. Some raags have different notes in ascent vs descent . This lesson is designed to guide you through the nuances of this raag, helping you to master its unique mood and Raag Bageshri introduction. In the twentieth century, Bageshri raga found widespread popularity in Carnatic Music. AVROH: S. When is Raag Bhimpalasi sung? Raag Bhimpalasi is sung in the early afternoon between 12 - 3 pm. Learn about the movement of notes or chalan and the mood it creates. avroh of Darbari Kanada). org – Learn Indian Music conveniently at your home D S. Aaroh (ascent) and Avroh (descent) Every Raag has an Aroh-Avroh rule, which specifies the notes allowed in the ascent and those allowed in the descent. Following combinations are illustrative of the raag: S G P D ; G P D ; P D P S' ; n D D ; n D P ; G P D ; Aroh S, R m, P d S* Avroh S* n d, P, m g, R S Pakad R m P S* n d P, d, R m P n d P More Details Videos. One of our teachers: Shri Sarfaraz Khan. This is a Poorvang Dec 15, 2016 · Indian classical raag Rageshri detail. On hearing the following combination, one feels a rich ocean like atmosphere of this Raag: Raag Bahar is a beautiful Raag that most appropriately brings out nature's beautiful blessings. This is a part of the In this video, we delve into the beautiful and soulful Raag Bageshri. The ones having all the 7 notes in Aaroh and Avroh are known as Sampoorna Jati Raag. Whereas in Avroh, Gandhar राग बागेश्री(raag bageshri) भारतीय शास्त्रीय संगीत में एक प्रसिद्ध राग है, जिसे काफी थाट से रचित माना गया है। Raag Bageshree Bandish - सां – नि नि | ध म प ध In the table below every raag has been described with its: Thaat; Aroh – Ascending order; Avroh – Descending order; Pakad – Main structure / order of using notes in the raag; Vadi – Most used note; Samvadi – Second most used note; Time – of Singing or playing Detail of Raga Yaman, Thaat: Kalyan, Jaati: Sampooran-Sampooran, Time: 6:00PM to 9:00PM, Vadi: G, Samvadi: N, Aroh: S, *N R G, M P, M D, N, S*, Avroh: S* N D P, M G Raag Malhar is also referred to as 'Miya Malhar' since it was a wonderful creation by Sangeet Samrat Miya Tansen. As its name suggests, it originates from the mountainous region of Himalayas. Detail of Raga Basant Bahar, Thaat: Bhairavi, Jaati: Aurav-Sampooran, Time: 12:00AM to 3:00AM, Vadi: S, Samvadi: P, Aroh: S G M G M n D S*, Avroh: D n S* n P, M G, M G, M G r S, Pakad: S G M G, G M N P M, P M G M G - powered by Ragakosh. In this raag, Swara combinations like Sa Ma and Pa Ga are used with gamak frequently. This Raag is full of Shringar Ras. In Avroh, Rishabh and Dhaivat are not used as resting notes however they are used in Meend. Watch the video for a demonstration. org – Learn Indian Music conveniently at your home RAAG : BHAIRAV AROH / AVROH : S r G M P d N S. the film songs based on Raag Bageshri may not necessarily follow every rule of this Raag Feb 25, 2020 · Concepts Covered: Aroh, Avroh, Pakad, Chalan, Alaap, Lakshangeet,Sargamgeet and Chhota Khayal. sharda. The nearest Raag is Raag Multani. %PDF-1. Iske agle bhaag me ham iss raag ke bandish Aaroh and Avroh of Raag Dhanashree with Bheempalasi Ang and Raag Bheempalasi are the same, difference being that of the Vadi Swar. Aroh (7 notes) : S r G M P D n S’ Avroh (7 notes) : S’ n D P M G r S. Madhyam is an important note. According to some maestros, Rishabh and Pancham should be Varjya in Aaroh, which makes it Audhav-Sampurna. But these days artists choose to sing Rageshree mostly with Komal Nishad and use Shuddha Nishad rarely. 5 %µµµµ 1 0 obj >/Metadata 193 0 R/ViewerPreferences 194 0 R>> endobj 2 0 obj > endobj 3 0 obj >/ExtGState >/ProcSet[/PDF/Text/ImageB/ImageC/ImageI Detail of Raga Bageshree, Thaat: Kafi, Jaati: Shaadav-Shaadav, Time: 12:00AM to 3:00AM, Vadi: m, Samvadi: S, Aroh: S m g m D n S*, Avroh: S* n D m g m g R S, Pakad: m G n G g m g R S - powered by Ragakosh. Khayals and Bandishen and very nicely composed and people practically sway and dance Raag Bageshree is also called Bagesari, Bageshwari, Vageshwari etc. Watch the video to learn the basics of Raag Rageshree is a very melodious Raag. Mood: romance, longing, uplifting, joyous. In this video I explain what is Avroh and Aaroh and how to practice it. राग बागेश्री रात्रि के रागों में भाव तथा रस का स्त्रोत बहाने वाला मधुर राग है। इस राग को बागेसरी, बागेश्वरी आदि नामों से भी पुकारा जाता है। राग की जाति राग ; बागेश्री कि जानकारी, आरोह, अवरोह, पकड और आलाप 05 राग परिचय : राग बागेश्रीRag Bageshri. Illustrative combinations are: g g m ; ,d ,n S m ; g m g ; g m g S ; m m ; d d n n d m ; g g m g Nov 17, 2021 · Raag Bageshree Aroh,Avroh,Pakad & Bandish,राग बागेश्री आरोह, अवरोह,पकड़,बंदिश।#RaagBageshree #bageshree #BageshreeBandishI am Dr Gopa Jun 25, 2023 · It represents the melodic ascent or the scale of the raga. Earlier it was known as Raag Ambika. | S. Aaroh of Bhoop raag : Sa Re Ga Pa Dh SA – 5 notes used are Sa Re Ga Pa Dh . The Shuddha Nishad of Madra Saptak makes the Raag Detail of Raga Darbari, Thaat: Asavari, Jaati: Sampooran-Sampooran, Time: 12:00AM to 3:00AM, Vadi: R, Samvadi: P, Aroh: S R g, m P, d n S*, Avroh: S* d, n P, m P g, m Raag Puriya is a peaceful, evening raag that has been studied and performed for over 300-400 years. Aaroh specifies the order and progression of the notes used while ascending the scale. Vadi, Samvadi. Welcome to the Asavari School of Music! In this video, we delve into the beautiful and soulful Raag Bageshri. The Raag is also called Gaud by some musicians. In Raag Bageshri g and n are Komal (flat). It is very close to Raag Poorvi, which employs both Madhyams. Meend is used to render from Komal Gandhar to Shadj(S). Jun 26, 2020 · The Raag having 5 notes are of Audav Jati i. ध . Movement of notes: vakra. The mood of the raga is celebratory as well as romantic, making it a common raga sung especially on occasions of marriage. One Aaroh is already indicated above. Lochana Pandit was a musician who lived in the Mithila district around 15th Century CE. In Aaroh, Gandhar is rendered with a Kan of Rishabh and Dhaivat is rendered with a Kan of Pancham. Raag Bageshri has 5 notes in Aroh (ascending) and 6 notes in Avroh (descending) order. Many film songs were composed in Raag Bageshri by the famous hindi music director C. The following combinations are illustrative:R R m G R s; D P Raag Bageshri has 5 notes in Aroh (ascending) and 6 notes in Avroh (descending) order. In Raag Tilak Kamod, Mandra Nishad Riyaaz (practice) of Avroh and Aroh is critical to improve quality of singing. Evidently, these two Raagas are pretty similar and are very difficult to render apart. For de Learn the details of Raga Bhatiyar, a morning raga of Bhairavi thaat, with its aroh, avroh, pakad, and audio examples - powered by Ragakosh. In this video, we'll be exploring the Raag Bageshri Aroh, Avroh, Pakad & Bandish. It is a janya raga (derived scale) of the 22nd Melakarta raga Kharaharapriya. Similarly while rendering Nishad, adjacent Shadj is used as a Kan-Swar (in Meend) likewise Gandhar is rendered with madhyam as a Kan-Swar (in Meend). When there is use of only Teevra Ma(t) in the Raag, it is Yaman raag and when Ma and Ma(t) are used together ,then this raag becomes Yaman Kalyan Raag Kalawati is a simple but melodious Raag. Learn its Aroh, vakra Avroh, Jati, Time, romantic or shringar mood. This lesson is designed to guide you through th Raag Tilak Kamod is a very melodious Raag. It has not defined thaat. The Aroh-avroh shows the gait of the raag and some raags can have a crooked gait (Ex. Raag Puriya Dhanashree occupies very important place among evening melodies. Raag Pahadi is a popular raga based on folk music. This raag is a difficult one to learn, but with a little practice you'll be Bageshri is one of the most popular and widely presented ragas. g. भारतीय शास्त्रीय संगीत की राग रागेश्री का आराोह, अवराोह Jul 5, 2020 · Bhimpalasi raag formed by combining two different raag that is Bhim and Palasi. Watch video demonstrations of Raag Bhairav, a peaceful, meditative, and serious raag. For example, in Raag Yaman, the Aaroh would typically be “Sa Re Ga Ma Pa Dha Ni Sa”, indicating the ascending order of the notes. Since it is an ocean of immense possibilities, the melodic combinations can include all the twelve notes rendered with skill. Jan 20, 2022 · Raag Bilawal videos and practice tracks to practice. In this Raag, Gandhar and Dhaivat are the two prominent notes which have oscillating character. Introduction; Practice of Aroh and Avroh (Ascent and Descent) Practice Of Pakad (Phases) Chalan Practice (Melodic Progression) Alap of the Raag (Musical Phrases) Sargamgeet; Lakshangeet Brought To You by Adam Gheli aka Bhaijaan YousufiThaat: KafiAarohi: 'n S g m D n S'Amrohi: S' n D m P D g m g R SVadi: mSamvadi: SPakard: 'n S m g m D n D m- Introduction. Shadj is used as a Kan-Swar). xzm eqewy phe dnnz cduqs ynjthyp koyhblo fmdfbh nnk rgykrssr